Music for Piano and Cello: Altstaedt and Madzar

This week I am writing about my other love – classical music, and the concert which thrilled us last Saturday night at the Perth Concert Hall.

Being Grand Final day for the AFL (Australian Football League for my non-Australian readers) meant that the audience was the smallest I’ve ever seen for a concert of this standard. That meant that we, and many others, could move to better seats and enjoy the performance even more.

Anything composed by Claude Debussy has me in the clouds, so when Nicolas Altstaedt touched his bow to his cello and Aleksandar MadzarĀ  ran his fingers over the keys of that grand piano, I sat back and let the music they created, carry me away.

The novel I am currently writing is about a former concert pianist who loses his right hand in a motor accident, so I am always keen to sit where I can study the movement of fingers, hands, arms and even the shoulders of a maestro, while listening carefully to the music they make. The Russians tend to over-dramatize, using large, flourishing lifts and pounces, while some pianists seem to use their whole upper torsos in a sequence of movements up and down the keys. I am a fan of Simon Tedeschi, having followed him since he was doing gigs as a teenager (maybe a bit older but he looked like a teenager) but his performances, although spectacular, remind me of an athlete as he pounds the keys with so much energy that I feel quite exhausted and he certainly looks worn out. I haven’t seen him lately so, maybe that’s an outdated comment.

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